Sarcouncil Journal of Humanities and Cultural Studies

Abstract: This article explores the creation process of the film Klonōan, a work that is based on artistic research and focuses on the revitalization of the Topeng Gethak dance—a traditional art form that is nearing extinction in the Blora region, Central Java. Employing a philosophical and symbolic approach, the creation is guided by three main theories: cultural identity theory, media representation theory, and Derrida’s deconstruction. The research applies a qualitative methodology through reflective-critical analysis by the creator, in which personal involvement, creative choices, and the cultural context are interwoven to shape the narrative and aesthetics of the film. Through the use of color symbolism in cinematography, along with traditional attributes and experimental storytelling, this film aims to present a new form of cultural expression that not only preserves tradition but also reconstructs it for contemporary relevance